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How to Catalog Sound Effects for Sound Libraries | Audio

By SFXsource
Total views: 1
Word Count: 454














Once you have recorded a large amount of raw material and then edited this material into a batch of finished sound effects it is time to associate data with these products so that you can submit your library to distributors. This data is generally called metadata and gives potential licensees information on pertinent characteristics of each sound in your library. Main categories of data that have proven to be useful in my own catalog are discussed below.

Finding the right format is the first step in creating your metadata document. The most frequently requested format for metadata is an .xls file with categories in columns and individual sounds in rows. Searching through your sounds according to File Name, or Time Length will be very easy if you use this type of format.

1. The Main Category column should contain broad categories such as Ambiences, Animal, Human, Transportation. Try to be as efficient in their use as possible in order to maintain a logical order to your library from the start.

3. The next main type of metadata, the Sub-Category, is intended to splice up each main category more specifically such as Tools: Hammers, Tools:Saws, Tools:Screwdrivers.

3. For excellent organization from the beginning, create a SKU number for each sound sample as you make then that begins with three unique letters, such as a personal acronym, and 5 digits like SFX00001_CarHonk. The sample which follows will begin with SFX00002 and so on giving each product a unique name. This SKU method is superior to alphabetical organization, especially if you record multiple versions of bird chirps, for example, over a number of years.

4. A friendly title for Title is simply intended to inform the buyer on the type of sound like Bird Chirp 1.

5. A simple but significant bit of metadata is Time Length since long sound effects are usually priced higher than shorter sound effects and the buyer deserves to know how much sound they are getting for their money.

6. The quality of each sample is given by stating the Track Info which includes stereo/mono information, the sample rate, the bit rate, and file type such as Mono 44.1k 16 bit Stereo .wav.

7. One of the main ways that clients find your sounds will be by searching for keywords and thus your Keyword category is very important. Plurals of the sound, related sounds, phrases that include the sound, and misspellings can all help your sounds be found such as car, cars, vehicle, vehicles, car driving, driving a car, kar, kars.

Once you have successfully cataloged your sound effects with organized metadata you are ready to submit your sounds to online sound effect libraries for licensing and profit.

About the Author

Visit SFXsource's extensive sound effect library to hear Sound Effects and get free audio samples and loops at Free Sound Effects and Loops


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